Blaine Rohmer Minsk, Belarus
Metal from Minsk, Belarus
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supported by 5 fans who also own “Above The Fog”
4 5 6 a été "composé à partir d'une mélodie créée en 2002" et cette précision n'est pas anodine car ce bloc tourne pour ainsi dire sur une seule mélodie, mélodie répétée, modifiée, torturée pendant trente-sept minutes. Black metal, funeral doom metal, black metal suicidaire et dépressif, post-rock et quasi rap se succèdent avec un naturel qui force non seulement le respect mais surtout l'admiration. Le chant transperce de part en part. 《 If there's a reason to live / there's a reason to die 》
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supported by 5 fans who also own “Above The Fog”
Beautiful, haunting, and incredibly engaging. I'm listening to this and looking out the window at snow falling -what could be more perfect? An incredible record; highly recommended. It's truly beautiful, and that's not a word I often use for metal, but this is powerful stuff.
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by Mesarthim
supported by 5 fans who also own “Above The Fog”
I was always intrigued by this group's choice of album covers, it isn't every day that you see high quality space photos in this genre despite the rise of "cosmic" black metal. But the music blew me away, this sounds like Austere took the atmospheric spacey route. (I will assume it's a coincidence that both bands are Australian)
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Raven And The Nightsky
by Dark The Suns
Finnish death metallers leaven infernal dynamics with triumphant, infectious melodies, striking a compelling balance between grit and grace.
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featured on Bandcamp Radio Oct 28, 2022
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Зямля Пад Чорнымі Крыламі: Кроў (The Land Under The Black Wings: Blood)
by Dymna Lotva
featured on Bandcamp Radio Aug 4, 2023
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Life has gone on long enough
by NONE
supported by 5 fans who also own “Above The Fog”
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs...
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