City rise on top of the spire
Called cage of doors or else your desire
No mortal eye seen all it's secrets
All that oppose be seen again
To break the cage from within
To stop the flow of madness
Shut every door where you have been
When you have seen it's grandness
You bend the city to your will
You forge it's streets and alleys
Right out the door where none has been
The endless spire vanishes
City stand on top of the spire
Unwanted guests will face exile
What the cost for facing eternity
Only ghosts will see the end of it
City falls from top of the spire
This is the end of endless empire
Destroyed itself burned from within
The cage of door you will not see again
I was always intrigued by this group's choice of album covers, it isn't every day that you see high quality space photos in this genre despite the rise of "cosmic" black metal. But the music blew me away, this sounds like Austere took the atmospheric spacey route. (I will assume it's a coincidence that both bands are Australian) porcelainheart-
definetely one of my favourite bm projects lately, love the synth elements. makes you remember how amazing, but terrifying, space really is :) scumdrug
Dans The Density Parameter, Mesarthim reprend tous les ingrédients qui font leur marque de fabrique : des pistes assez longues au rythme énergique (très palpable sur "Recombination" par exemple) et jouant sur des structures cycliques, un chant qui erre parmi les étoiles... Les ambiances sont prolifiques mais elles changent la donne : gracieuses, certes, mais surtout plus mélancoliques qu'autrefois. The Density Parameter est un peu la dernière bouffée d'oxygène que donne la combinaison spatiale. Jordan Vauvert
Finnish death metallers leaven infernal dynamics with triumphant, infectious melodies, striking a compelling balance between grit and grace. Bandcamp New & Notable Oct 25, 2023
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs... Jordan Vauvert