The multiverse breathes
It grows it stagnates
It forges it's chains around the plains link by link
In time even entrophy will be unmade
And I am the weapon for it
All must fall upon
Entrophy's blade
It's chains will be broken
Will be unmade
Start with the fragment of enemy
A drop of blood
A crystallized though
One of their hopes
All things tell the ways it can die
Immortality is only a word
All that exists can die
Every living thing has a weapon
Against which it has no defense
Time
Disease
Iron
Guilt
There are no limits
supported by 24 fans who also own “Entrophy's Blade”
I was always intrigued by this group's choice of album covers, it isn't every day that you see high quality space photos in this genre despite the rise of "cosmic" black metal. But the music blew me away, this sounds like Austere took the atmospheric spacey route. (I will assume it's a coincidence that both bands are Australian) porcelainheart-
supported by 22 fans who also own “Entrophy's Blade”
definetely one of my favourite bm projects lately, love the synth elements. makes you remember how amazing, but terrifying, space really is :) scumdrug
supported by 19 fans who also own “Entrophy's Blade”
Dans The Density Parameter, Mesarthim reprend tous les ingrédients qui font leur marque de fabrique : des pistes assez longues au rythme énergique (très palpable sur "Recombination" par exemple) et jouant sur des structures cycliques, un chant qui erre parmi les étoiles... Les ambiances sont prolifiques mais elles changent la donne : gracieuses, certes, mais surtout plus mélancoliques qu'autrefois. The Density Parameter est un peu la dernière bouffée d'oxygène que donne la combinaison spatiale. Jordan Vauvert
Finnish death metallers leaven infernal dynamics with triumphant, infectious melodies, striking a compelling balance between grit and grace. Bandcamp New & Notable Oct 25, 2023
supported by 18 fans who also own “Entrophy's Blade”
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs... Jordan Vauvert