Lift the skies to see
Not one of lives away
Searching river Styx
For what you used to be
Long corrupted boat
Won't keep you long afloat
Down into the depths
Another one of you
Searching gray wastes
For the answers you've had
The answers you've told
Artificial design of your own tale
Working puzzles for
For the answers you've had
The answers you've told
Self-made abstraction of human life
Planes were turned to dust
By your own force of will
Guided by one wish
To stop your endless scream
When man seals himself
Against it's own beliefs
Merely he dies
A different kind of death
Everything that can
Lead you to your death
Was erased from planes
Left no defined path
Forced to be alive
Betrayed by your own kin
Struggling to remain
A something else within
I was always intrigued by this group's choice of album covers, it isn't every day that you see high quality space photos in this genre despite the rise of "cosmic" black metal. But the music blew me away, this sounds like Austere took the atmospheric spacey route. (I will assume it's a coincidence that both bands are Australian) porcelainheart-
definetely one of my favourite bm projects lately, love the synth elements. makes you remember how amazing, but terrifying, space really is :) scumdrug
Dans The Density Parameter, Mesarthim reprend tous les ingrédients qui font leur marque de fabrique : des pistes assez longues au rythme énergique (très palpable sur "Recombination" par exemple) et jouant sur des structures cycliques, un chant qui erre parmi les étoiles... Les ambiances sont prolifiques mais elles changent la donne : gracieuses, certes, mais surtout plus mélancoliques qu'autrefois. The Density Parameter est un peu la dernière bouffée d'oxygène que donne la combinaison spatiale. Jordan Vauvert
Finnish death metallers leaven infernal dynamics with triumphant, infectious melodies, striking a compelling balance between grit and grace. Bandcamp New & Notable Oct 25, 2023
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs... Jordan Vauvert