You mortals like wasp
You build you own nests
From slimmes of branches
When mind chooses to see
Only what is before
Mind sees only part of the whole
Tried to sting the wind of death
Realising your mistakes
Damage caused by you own self
From experience you bring
Harm to anyone who was
Near you in times like this
You are silver glass that cracked
Shattered through the time and space
To be found and to be held
Underneath for you will be
Ignorance and your despair
Forced to kill and not to flee
supported by 25 fans who also own “Silver Glass & Wind of Death”
I was always intrigued by this group's choice of album covers, it isn't every day that you see high quality space photos in this genre despite the rise of "cosmic" black metal. But the music blew me away, this sounds like Austere took the atmospheric spacey route. (I will assume it's a coincidence that both bands are Australian) porcelainheart-
supported by 23 fans who also own “Silver Glass & Wind of Death”
definetely one of my favourite bm projects lately, love the synth elements. makes you remember how amazing, but terrifying, space really is :) scumdrug
supported by 20 fans who also own “Silver Glass & Wind of Death”
Dans The Density Parameter, Mesarthim reprend tous les ingrédients qui font leur marque de fabrique : des pistes assez longues au rythme énergique (très palpable sur "Recombination" par exemple) et jouant sur des structures cycliques, un chant qui erre parmi les étoiles... Les ambiances sont prolifiques mais elles changent la donne : gracieuses, certes, mais surtout plus mélancoliques qu'autrefois. The Density Parameter est un peu la dernière bouffée d'oxygène que donne la combinaison spatiale. Jordan Vauvert
Finnish death metallers leaven infernal dynamics with triumphant, infectious melodies, striking a compelling balance between grit and grace. Bandcamp New & Notable Oct 25, 2023
supported by 19 fans who also own “Silver Glass & Wind of Death”
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs... Jordan Vauvert