Blaine Rohmer Minsk, Belarus
Metal from Minsk, Belarus
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by Mesarthim
supported by 25 fans who also own “The Pillar of Skulls”
I was always intrigued by this group's choice of album covers, it isn't every day that you see high quality space photos in this genre despite the rise of "cosmic" black metal. But the music blew me away, this sounds like Austere took the atmospheric spacey route. (I will assume it's a coincidence that both bands are Australian)
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supported by 23 fans who also own “The Pillar of Skulls”
definetely one of my favourite bm projects lately, love the synth elements. makes you remember how amazing, but terrifying, space really is :)
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The Density Parameter
by Mesarthim
supported by 20 fans who also own “The Pillar of Skulls”
Dans The Density Parameter, Mesarthim reprend tous les ingrédients qui font leur marque de fabrique : des pistes assez longues au rythme énergique (très palpable sur "Recombination" par exemple) et jouant sur des structures cycliques, un chant qui erre parmi les étoiles... Les ambiances sont prolifiques mais elles changent la donne : gracieuses, certes, mais surtout plus mélancoliques qu'autrefois. The Density Parameter est un peu la dernière bouffée d'oxygène que donne la combinaison spatiale.
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Raven And The Nightsky
by Dark The Suns
Finnish death metallers leaven infernal dynamics with triumphant, infectious melodies, striking a compelling balance between grit and grace.
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featured on Bandcamp Radio Oct 28, 2022
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Зямля Пад Чорнымі Крыламі: Кроў (The Land Under The Black Wings: Blood)
by Dymna Lotva
featured on Bandcamp Radio Aug 4, 2023
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Life has gone on long enough
by NONE
supported by 19 fans who also own “The Pillar of Skulls”
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs...
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